Quotes for a Wedding Toast by the Father of the Bride

For many fathers of the bride, a daughter’s wedding day is a bittersweet occasion. Happiness mingles with sadness at the reality that the little girl who once relied so heavily on her father  is now going out into the world as her own woman and as someone’s wife. A toast on this day marks both an ending and a beginning. Fathers of the bride  can share their love, their pride, and express their best wishes for their daughter’s life going forward. They may even want to impart some wisdom about what it means to be a loving husband and father and what it takes to make a marriage a success. Whether the goal is to be lighthearted and humorous, sentimental and serious, or a little of both, including a few of the following sentiments, will make the father of the bride toast just that more special. Father of the Bride Quotes John Gregory Brown: There’s something like a line of gold thread running through a man’s words when he talks to his daughter, and gradually over the years it gets to be long enough for you to pick up in your hands and weave into a cloth that feels like love itself.  Enid Bagnold: A father is always making his baby into a little woman. And when she is a woman he turns her back again.  Guy Lombardo: Many a man wishes he were strong enough to tear a telephone book in half, especially if he has a teenage daughter.Euripides: To a father growing old nothing is dearer than a daughter.Barbara Kingsolver: It kills you to see them grow up. But I guess it would kill you quicker if they didnt.  Phyllis McGinley: These are my daughters, I suppose. But where in the world did the children vanish?  Goethe: There are two lasting bequests we can give our children. One is roots. The other is wings.Mitch Albom: Parents rarely let go of their children, so children let go of themâ₠¬ ¦It is not until much later†¦that children understand; their stories, and all their accomplishments, sit atop the stories of their mothers and fathers, stones upon stones, beneath the waters of their lives.  H. Norman Wright: In marriage, each partner is to be an encourager rather than a critic, a forgiver rather than a collector of hurts, an enabler rather than a reformer.  Tom Mullen: Happy marriages begin when we marry the ones we love, and they blossom when we love the ones we marry.Leo Tolstoy: What counts in making a happy marriage is not so much how compatible you are, but how you deal with incompatibility.  Ogden Nash: To keep your marriage brimming with love†¦whenever you’re wrong; admit it. Whenever you’re right, shut up.  Friedrich Nietzsche: When marrying, ask yourself this question: Do you believe that you will be able to converse well with this person into your old age? Everything else in marriage is transitory.

evidence basedpractice - 2944 Words

EVIDENCE BASED PRACTICE INTRODUCTION: Evidence-Based Practice (EBP) is a thoughtful integration of the best available evidence, coupled with clinical expertise. As such it enables health practitioners of all varieties to address healthcare questions with an evaluative and qualitative approach. EBP allows the practitioner to assess current and past research, clinical guidelines, and other information resources in order to identify relevant literature while differentiating between high-quality and low-quality findings. UNIT BACKGROUND: Evidence based practices was founded by Dr.Ardice Cochrane , a British epidemiologist.Cochrane was a strong proponent†¦show more content†¦Problem focused triggers are identified by healthcare staff through quality improvement,risk surveillance,benchmarking data,financial data, or recurrent clinical problems.Problem focused triggers could be clinical problems,or risk management issues. Example:Increased incidence of deep vein thrombosis and pulmonary emboli in trauma and neurosurgical patients.Diagnosis and proper treatment of a DVT is a very important task for health care professionals and is meant to prevent pulmonary embolism.This is an example of an important re tht more research can be conducted to add into evidence –based practice. Knowledge focused triggers are created when health care staff read research, listen to scientific papers at research conferences.Knowledge based triggers could be new research findings that further enhance nursing ,or new practice guidelines. Example: Pain management .,prevention of skin breakdown , assessing placement of nasogastric tubes, and use of saline to maintain patency of arterial lines. When selecting a question ,nurses should formulate questions that are likely to gain support from people within the organization.The priority of the question should be considered as well as the sevearity of the

Key Account Management Tools and Techniques

Question: Discuss about the Key Account Management for Tools and Techniques. Answer: Introduction: AccountAbility is a renowned multinational consultancy firm that provides standardized consultation program to their clients. Their client base comprises of businesses, governments and other corporations who receive trustworthy and proper guidance over the practices of business that will improve the long-term accomplishments. AccountAbility forecasts their success with respect to the developments in the performance of their clients. The organization aims to give efficient guidance to solve the problems of their clients by practical solutions with the help of smart ideas and clear thinking (AccountAbility.2017). The firm operates in a business environment that has astonishing challenges and opportunities that helps economies and the business to re-strategize fundamentally and redesign their dynamic process of undertaking their business activities. AccountAbility connects with their clients like their partners to improve their operations with the help of sustainable strategies like concentrating on the environmental and social impacts from the operations of the business, involvement of the stakeholders, ability to expand and continuous reporting of the relevant data. AccountAbility focus to provide tolerating and practical results that is useful to the clients to move ahead in the business environment. The consultancy firm collaborates with the customers to share ideas, knowledge and answers that can be implemented by the clients to develop their operations of business (Cheverton 2015). The organization always looks for new and innovative ways to give out efficient services to their customer and construct a plan to realize the future needs of their clients. The firm influences their staffs to create, innovate and implement creative skills and mechanisms that will enhance the working style of the firm. Reference List AccountAbility. (2017).About AccountAbility - AccountAbility. [online] Available at: https://www.accountability.org/about-us/about-accountability/ [Accessed 20 Mar. 2017]. Cheverton, P., 2015.Key account management: tools and techniques for achieving profitable key supplier status. Kogan Page Publishers.

Jean Arp Essays - Dada, Art Movements, Jean Arp, Tristan Tzara

Jean Arp ?Art is a fruit that grows in man, like a fruit on a plant, or a child in its mother's womb,? once commented Jean Arp--a remarkable twentieth-century sculptor, painter and poet associated with and a forefather of the Dada and Surrealist movements. The avant-garde artist was born on September 16, 1887 in Strasbourg, France, where he studied at the Ecole des Arts et M?tiers. In 1905, he transferred to the Weimar Academy and then to Paris at the Acad?mie Julian in 1908, and subsequent to graduation resumed his painting in Weggis, Switzerland in isolation. By 1912, Jean Arp had become associated with the Blaue Reiter, or Blue Rider, a group of Expressionist artists in Munich, where he exhibited ?semi-figurative? drawings and became well-acquainted with fellow artist Wassily Kandinsky. In 1913, he exhibited with another group of Expressionists at the first Hebrstsalon--or Autumn Salon, an art exhibition--in Berlin. Aware of the developments within the French avant-garde through his contacts with such artists as Apollinaire, Max Jacob and Sonia and Robert Delaunay in 1914, Arp presented his first abstracts and paper cutouts in Z?rich in 1915 and arranged his first shallow wooden reliefs and compositions of string nailed to canvas. In 1915, the art of Jean Arp consisted of abstract and angularly patterned tapestries and drawings, but soon matured as he became the co-founder of the revolutionary Dadaist school of artists in Z?rich, Switzerland with Tristan Tzara and Hugo Ball. His familiar abstract and curvilinear forms debuted in 1917, and in 1919 he continued his Dadaist portrayals with Ernst in Cologne before participating in the Berlin Dada exhibition of 1920. Jean Arp married Sophie Tauber in 1922, during a period where he was most notable for his painted wooden bas-reliefs and humorous cut-cardboard constructions. He settled with his wife at Meudon in 1927, when he participated in the Surrealist movement and had his first one-man exhibition at the Galerie Surr?aliste in Paris. He then parted with Surrealism to become a co-founder of Abstraction-Creation in 1931, when his characteristic organic forms became more severe and geometrical. In the 1930s, Jean Arp began to work in freestanding sculpture, carving and molding a variety of substances. An example of his smooth, biomorphic forms is the marble Human Concretion, 1935, located in the Mus?e National d'Art Moderne in Paris. Arp was tenacious in correcting art critics as to the nature of his sculptures; he insisted that his pieces were ?concrete? rather than ?abstract?, since they occupied space, and that art was a natural generation of form--?a fruit that grows in man?, as he had stated. Jean Arp visited the United States in 1949 and 1950 to finish a monumental wood and metal relief for Harvard University; in 1958, he composed a mural relief for the UNESCO Building in Paris. He was awarded the international prize for sculpture at the Venice Biennale in 1954 and the 1964 Pittsburgh International. Arp died on June 7, 1966 in Solduno, Switzerland, survived by his second wife, Marguerite Arp-Hagenbach. A dominant personality within abstract art, Dada and Surrealism, his reliefs and sculptures have had a decisive influence upon the sculpture of this century. Bibliography: www.artcyclopedia.com www.artchive.com Jean Arp Essays - Dada, Art Movements, Jean Arp, Tristan Tzara Jean Arp ?Art is a fruit that grows in man, like a fruit on a plant, or a child in its mother's womb,? once commented Jean Arp--a remarkable twentieth-century sculptor, painter and poet associated with and a forefather of the Dada and Surrealist movements. The avant-garde artist was born on September 16, 1887 in Strasbourg, France, where he studied at the Ecole des Arts et M?tiers. In 1905, he transferred to the Weimar Academy and then to Paris at the Acad?mie Julian in 1908, and subsequent to graduation resumed his painting in Weggis, Switzerland in isolation. By 1912, Jean Arp had become associated with the Blaue Reiter, or Blue Rider, a group of Expressionist artists in Munich, where he exhibited ?semi-figurative? drawings and became well-acquainted with fellow artist Wassily Kandinsky. In 1913, he exhibited with another group of Expressionists at the first Hebrstsalon--or Autumn Salon, an art exhibition--in Berlin. Aware of the developments within the French avant-garde through his contacts with such artists as Apollinaire, Max Jacob and Sonia and Robert Delaunay in 1914, Arp presented his first abstracts and paper cutouts in Z?rich in 1915 and arranged his first shallow wooden reliefs and compositions of string nailed to canvas. In 1915, the art of Jean Arp consisted of abstract and angularly patterned tapestries and drawings, but soon matured as he became the co-founder of the revolutionary Dadaist school of artists in Z?rich, Switzerland with Tristan Tzara and Hugo Ball. His familiar abstract and curvilinear forms debuted in 1917, and in 1919 he continued his Dadaist portrayals with Ernst in Cologne before participating in the Berlin Dada exhibition of 1920. Jean Arp married Sophie Tauber in 1922, during a period where he was most notable for his painted wooden bas-reliefs and humorous cut-cardboard constructions. He settled with his wife at Meudon in 1927, when he participated in the Surrealist movement and had his first one-man exhibition at the Galerie Surr?aliste in Paris. He then parted with Surrealism to become a co-founder of Abstraction-Creation in 1931, when his characteristic organic forms became more severe and geometrical. In the 1930s, Jean Arp began to work in freestanding sculpture, carving and molding a variety of substances. An example of his smooth, biomorphic forms is the marble Human Concretion, 1935, located in the Mus?e National d'Art Moderne in Paris. Arp was tenacious in correcting art critics as to the nature of his sculptures; he insisted that his pieces were ?concrete? rather than ?abstract?, since they occupied space, and that art was a natural generation of form--?a fruit that grows in man?, as he had stated. Jean Arp visited the United States in 1949 and 1950 to finish a monumental wood and metal relief for Harvard University; in 1958, he composed a mural relief for the UNESCO Building in Paris. He was awarded the international prize for sculpture at the Venice Biennale in 1954 and the 1964 Pittsburgh International. Arp died on June 7, 1966 in Solduno, Switzerland, survived by his second wife, Marguerite Arp-Hagenbach. A dominant personality within abstract art, Dada and Surrealism, his reliefs and sculptures have had a decisive influence upon the sculpture of this century. Bibliography www.artcyclopedia.com www.artchive.com Arts and Painting

Fundamentals of Interior Design Essay Example

Fundamentals of Interior Design Essay Example Fundamentals of Interior Design Essay Fundamentals of Interior Design Essay Name: Instructor: Course: Date: : Fundamentals of Interior Design 1. Gestalt refers to a broad description of the theories that make accord and diversity achievable in interior design. This theory is involved with understanding the art psychology as well as visual perception. Gestalt is concerned with the relationships between the whole and parts of the whole composition. Its principles may include proximity, symmetry and similarity among others. 2. (a) Vertical lines-They suggest a feeling of superiority and divinity. Lines drawn erect bring a perception of extending upwards to the sky. They are common in public buildings such as cathedrals. (b) Horizontal lines-They suggest a feeling of repose as objects similar to the world are deemed at rest. (c) Diagonal lines-They suggest a sense of movement in a particular direction. They look like they are about to fall or are in motion (Dodsworth 12). In two dimensions, diagonal lines indicate depth. (d) Curved lines-Shallow curves present an aspect of safety and relaxation. Curves also have a pleasing quality, as they are similar to body curves. 3. Two-dimensional form is shapes having two aspects that are height and width for example the flat surface of drawings, paintings and images. Three-dimensional form are shapes with three aspects-length, width and depth. These forms can exist in actual space as an illusion of mass and volume on a two dimensional surface. 4. Texture refers to the actual or visual qualities that any work of art posses. Texture may be felt on the materials used to create art or perceived by an individual as mimicking the surface of another substance. 5. A pattern is a type of decoration design that is recurring in a predictable manner. 6. Ornaments are accessories used to beautify parts of an object. They are usually adorned by models or used to embellish buildings. 7. Opacity is the degree to which an object is unable to allow light to penetrate it. 8. Transparency is the property of an object that allows light to be fully transmitted through it. 9. Translucency is the property of an object that allows partial transmission of light because of diffusive properties. 10. Scale refers to how an object relates to the size of another object compared to it for example a large sofa in a small room. Proportion refers to the ratio between the sizes of objects while size refers to how big or small an object is. 11. Radial symmetry refers to a body plan where an objected can be divided into equal halves along a central axis while bilateral symmetry is a body plan in which the right and left sides of the body can be split into similar images along the midline. Chapter 9: Materials and Their Uses 1. Structural elements are major parts of a project or work that forms the foundation and ensures the stability of buildings or other objects for example trusses and columns while non-structural elements comprise of elements of a building that are not part of the main load-supporting system. 2. Masonry is the technical profession of erecting structures by binding them together with mortar. Masons use concrete, cement and cast stone as their main materials (Dodsworth 56). 3. Natural materials are products that originate from animals, plants or the Earth. They can be extracted through mining such as wood, cotton and copper. 4. Processed materials are products that have been developed by humans from raw materials for example paper from wood. 5. Synthetic materials are products created through scientific means as a substitute for the natural materials for example nylon and polyester. 6. Softwood trees are conifers, evergreen and gymnosperm for example pines, Cedar, Cypress 7. Hardwood trees are deciduous and are found in cold climates for example oak, Mapel and mahogany. 8. Veneers are the thin pieces of wood usually less than three millimeters that are glued to medium density core panels to produce flat surfaces. 9. The type and size of screws to be used on a project have to be considered. The screws should be able to hold both boards in place without splitting the wood or poking out. The methods of connecting wood must be determined that is should one use a dovetail, butt of mortise and tenon joint (Dodsworth 34). Chapter 12: Textiles 1. Cotton and wool 2. Polyester and Rayon 3. Calendaring and crease-resistant finishes. The purpose of finishes is to perform treatments and other processes that make a fabric suitable for its proposed use. 4. carbon based as well as cellulose based fibers 5.Calendering where fabric is pressed under high temperatures while folded. Secondly, decatising entailing the permanent finish to avert shrinkage in future use of fabric. Chapter 5: The Design Process 1. The Beaux Arts method refers to a teaching curriculum in the study of architecture that was developed by Ecole des Beaux-Arts and which involves instructing students in an atelier environment an also includes observational drawing, systematic design methodology and architectural drafting among other subjects. 2. Program Evaluation and Review Technique (PERT) is a statistical instrument that illustrates the different tasks required for the completion of a project. 3. Critical path method (CPM) is an algorithm used to schedule the different project activities in project management. 4. Concept art is an illustration of art with the purpose of conveying an image representation of an idea or design before it is actualized in a film or book. Concept sketches are therefore the representations of people’s ideas in sketches. 5. Axonometric drawing is the creation of images where the object is rotated along one or more of its axes comparative to the level surface of projection. 6. Blueprints contain scales that are read by an engineer’s ruler. They also contain contour lines and benchmarks to how if the ground will be graded or not. They also show the entire scope of the project, as well as the required materials and equipment. Chapter 1, Introduction 1. Residential – 43% Commercial or industrial – 37% Institutional – 15% Miscellaneous – 5% Work Cited Pile, John F, and Arnold Friedmann. Interior Design. Upper Saddle River, NJ: Pearson Prentice Hall, 2007. Print.

Death of the Holocaust essays

Death of the Holocaust essays The Holocaust was one of if not the worst example of genocide and mass murder. The Nazis did one of the most horrible things imaginable by killing so many people. Some the death camps could be considered the worst places on earth, even worse then Hell. As one survivor put it, "No one can understand what happened here." The Nazi extermination and concentration camps at Auschwitz, Bergen-Belsen, Treblinka, Berkinow, Chelmo, Sobibor, Belzec, and hundreds of others kept prisoners on their toes and in a constant fear (The Nizkar Project). In these camps, over six million Jews were summarily killed simply because Hitler conceived them to be inferior to his Aryan race of Germans. Poland's Jewish population dropped from a vibrant 3,350,000 to a mere 50,000 by the end of the war, just to highlight the worst example (20th Century History). Alongside Gypsies, homosexuals, and some Slavs, Jews were especially targeted as utterly inferior and were subject to gassing, executions, medical experiments, and torture (The Nizkar Project). The deaths of these prisoners were utterly terrible. Some were shot from point blank one behind the next to save bullets. The Germans later used cyanide gas to kill the prisoners. This allowed the Germans to kill more people faster to save time and money. There was nothing innocent about the death camps. As you can see in the collage the bodies of the prisoners looked like skeletons with a thin layer of skin over their bones. The sites almost burn into your mind about how harsh and terrible this act was. The words "Work Makes You Free" adorned the gates to Auschwitz, the camp where the greatest number of Jews died (20th Century History). Fooled that if they worked they could go free, Jews were forced into the labor camps and into a life of constant fear, the constant threat of death, hard labor, starvation, sickness, and inhumanity. Auschwitz was the worst extermination camp of the Holocaust killing 1.1 million...

Alzheimer's Disease Essay Example | Topics and Well Written Essays - 1250 words - 1

Alzheimer's Disease - Essay Example The ambiguity naturally appears already when noticing Alzheimer’s symptoms similarity to a normal aging, and mostly appears when treating and taking care of the ill person. While official clinical institutions, like Alzheimer’s Association and Alzheimer’s Society, provide a clear definition of AD from a normal aging on a ground physical brain changes, Rob J. M. Dillmann and Julian C. Hughes, Ph. D. explore a socio-cultural and ethical side of AD treatment. Alzheimer’s generally reveals itself as a disease which is hard to treat in a wright way. Specifically, Alzheimer’s is the disease which is hard to deal ethically with. It’s firstly hard to distinguish AD from normal aging process due to a similarity of symptoms on early stages. Alzheimer’s Association says, what commonly considered as elderly absent-mindedness, â€Å"may be a symptom of Alzheimer’s or another dementia† (â€Å"10 Early Signs†). Thus, to enlighten a disease specific, it’s firstly explored how AD differs from normal aging. The accent is put on physical symptoms’ interrelation with changes in person’s mentality. Secondly, as a person with Alzheimer’s, especially on latter stages, commonly demonstrates â€Å"the impaired decision-making abilities†, a socio-cultural context of the treatment is explode (Hughes 381). The discussion on ethical side of treating person with AD originates from those ill human beings’ loss of personality and from ambiguous determination of AD as a di sease, not a normal form of aging. The first symptom of Alzheimer’s as well as for many other dementias is a memory loss, because the disease starts with a physical brain damaging. According to Alzheimer’s Society, â€Å"During the course of the disease, proteins build up in the brain to form structures called â€Å"plaques† and â€Å"tangles† (â€Å"What is Alzheimer’s disease†). Nerve cells lose their